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汉欧^,威广场
Geor; ge Harvey; Bone,_. is a= comp\oser;_ in :)early 20th #century London,= who is und*\er str_ess, ^;because he is writ
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Geor; ge Harvey; Bone,_. is a= comp\oser;_ in :)early 20th #century London,= who is und*\er str_ess, ^;because he is writing -@a piano c;on@certo. Due to this/- stress`:, ]he +gets black outs when ever he hears dissonance*!s. Whe]n h+*e finds himself after the bl#(=ac/+k out in a differen _ t quarter #[of the tow]; [n, he retu)rn/#??s ?home, to rea;)d in(: the paper that somebo! dy in tha] ,=t+)- qu?.!,arter ]_).*was murde[ red.;^ Askin_[)g. help)[?=- from /#a d+o -^ctor at Scotland Yar;[d he is# ` assur[ed t; ha_;t (%he has nothing to ,`do with it?, but he _-is advis*ed to cut b[+_\ack _^ in his work [and ^ get some `?[`@r_elaxa,*(t/ion like *other, ordinary pe#ople. At a cheap mu\* _sical he mee^ ,ts Netta, a s_inger%_, who inspir]es him for (a new^) motive for@ his] c]oncerto. But N(etta= disc overs that@__= this mot*ive co ?]:]uld als% o be used #_a$%]^%s a song for her. ]Th/;e@/% % song gets s(@\old, and/* s;he hangs around George to ^(get more songs out of him. Geo:- rg? e believes that] Ne@tta is $#in lov^ ^e with h im, ==.and get @ _s in -;@an [ar%gument with his girlfriend Barbar`a,= t/%,h.*e da ughter o?f Lo@ .rd ^)H:)enr#y, who wants(@ the =,c[oncer $;t(.o*, f ?or one of his soua+res. George( has anoth_er b_lack out, ...