逝水. 年华

一直作為米路斯．科曼劇)=本鐵三角（另一位是帕$培錫，也是本片編+劇之一）^ 成員的艾#雲．巴薩，當然 .: 也走低-度戲劇路線_+(。同是+#音\+樂家的**
彼德與卡洛老#友重逢,[:，生活狀況大不同，你有^伴侶我有家庭，+ 然而都有說不出的不明朗，- !唯有以酒與音樂代:替口水。?;全片推展不問目的，只在^剎那間的$`-意.$$圖，行= 行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二
_十年後的伊$力

．盧馬。巴薩鍾愛音樂的程度不下於(+文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。　　 　　康城_影展青年+,`
_評審團獎，美國全國影評人協會特別獎　　　　^)%這部196_:!6年的珍\品，是 %捷克新浪潮短暫生命中最佳作品之一。成名音樂家到$[小鎮探訪舊同`學，舊同學是個窮音樂教;)師，有時*`!在喪禮上]=吹奏樂曲。平凡的素材]]在巴/] %素手裡，\變出+_^風趣復罕見#/的旋律，一部?[憂鬱.* 的=?喜劇，或灰色喜劇。　　　　- D$)@?ave Kehr, Chicago Reade`r　　　　Iva:n- Passer's = (Cutter's Way and Creator)  last film to be# made in %(his na?(tive C$zechoslovakia i/@*s abo!ut* ;@@friend^?s – music`?ian P)`=et+r an`=d music teacher _Karel %!_%–
_re:?;uni *;ted when Petr r[?et\urns to?/ town for a per\f; (%ormanc+e. Pass!-er freq uentl\y col,$_labora#te(d with Milos Forman and the episod* /ic,=`?/] low#--act_ion aest
!]!hetic /)[tha_t was eviden,+t in^ For-=man'%s early work ca  ]n +be seen he)r#e.@/ Y@ears of separation have% br/?!ed ap p !rehens(ion b^etw,);een t_ h.e two me@n, and K%:arel@$' $_s simmeri-;,ng jealou`sy mak@
es \# thei-]r-` meeting all the m
?ore awkward.` ; Ev entually, the+[ b,?`arriers cru`mble eno]+ugh fo#r;), the;%[ p: air.,:- to free$$ly discus ?s th.# eir  lives. #T?;[h_\/e film's:#; **simple beauty ]is in ,the `\detail=s=` @_:of the m//en's re;;#acq;[uainti,^ng th/,?e/%%m%,sel(ves .#,with each other, discov/(ering$/`- each other's regre-%;ts and unfu\lfille[$@d desires. Alive` with p%)athos, h+umour and insi%:ght:.　 \　,]　　]Special Award, N-%ati/=(onal Society of Film Cr ?[itics  Awards%　
=,_　　　I.ts simp!le city m,?)ou+se-country ; mouse)_ story involves the mee( tin,`g of two former sch_
oolmates as th(`ey prep:a/%re for a small-`tow:/,n concert. Enl/ivened by !Pas\,,(ser's
+ flair f)(]or gr#o\#$tesquerie$, t]\his u ,nassum?:`ing mas^[terpiec?!]e main?=/tains /a del#/icate #ba$$la!*n[`ce .:between hil?.arity a.`n^*:;d despair[-.　　　　- Elliott Stein, ^Villa /_ge Voice　　　　 /Source] HKIFF Czech New Wave 2006