难以置信?的事实

Fraugh %*t w:!ith over obv i/ou-;--s symbo ,lism, Hartle#![y's ,%early?* f eature is no(_n_ etheless a% ,joy] t-: o watch-. Hal here sho#)ws us his un.,canny abili ; ty t+, )o `` cast, hi s ch@!aracters +perfectl#%y came e :arly in -hi^`/
s -]car(eer.　　Adri-+enne Shelley i`\s a ne ar , ;- perfect *% foil= to herself,:+* #; [equal parts)_ ;\anno]$?]ying- teen bu;;/\rgeoning in h]?er sexu*`ality (*though us_+ing @ sex+] fo__r severa#.l ye,%ars); obse?ssed wit- /h doom and i?[ns` p`ired b ;%(y ideal += ism gon=e wrong//. she i:*-s decep tively – and simultaneously – complex and s;imple**. Her Au/$drey inspir\_?es !so man y leve:(/=ls of symbolism it
\ is alm[+ost embar_rassing @l y$- rich (e.g., her modeling _^career beginning with/ photos of .@he?#r [!!foo!`t – )culmi!natin=g=`\, he[r doing n(ude `(b(u/t unseen) work; Manhattan mov[e; Eur?+ope[ tr_; :ip; her s tealing, the% n sleeping with the mec?ha;*)nic/s wrench-, etc.)　@ (　As Josh,] Robert .(Bur!`ke ;]gives an a(bsolutely masterful perfo_rmance. A reform :ed pris :_\?one;rpenitent he re t/) ?urn:s to his) ( home town%=% to face down past demon+?[\s, ac/-*cept =^^ hi s l$+ot
[ and begin a new life. Dre` %ssed in blac )k,, and rep;eated
ly mistaken^ (;for a p riest#]%, -he corr!ec^_ts (;#everyone (I'm a mechanic), yet th= e symbolism is ric:;h he abst (ai[ns fro)m alc)oh#ol, he practi-=ces celibacy (is,-  in] fact a virgin:)#, and seem+:ingly_ ha,s ?$taken //[on vo /ws of pover?$ty, and humilit(y as well[. Th 
/e *?humility se.ems hardest t-o) s!wallow (seeming, at ti;mes, almo s+(]t@+@ false@?, =a p:;,,\re-]tense. )?Yet, as ]@@we learn *more of( @]J?]osh `we s/`*ee g?
(e^
nuine-)_nes`s in his mo=$d =*e%st# @y, that h=is;; $@$ humility is i,:ndeed earnest and+]+: believable._@ Wh/a%-t se[=!\-ems ironi$c is ,(the character% !is fair=ly f;[o@r`thr;ight in[ ;, his!! simplicity, yet so richly drawn i =-t+, b^^(ecomes  the viewer -$who wants to make +him out a`-s more t (han what he ac$tually is. A :fa)$sc +,+in*.=atingly/] written character, perfectly# pla
=yed.　　The s-_cene between Josh and Jane (a w@  onderful, you
n:g #]
!Edie Falco . . !`. You
/need a )woman ^not a - ;%g@irl)  .is /)hilar$*_ious .,^ . . real. But Hart]ley can't %%leave it as such and his trick, having( the ac:t$/:ors )#repe+at the dial#ogu`,e over-and-over+ =(be%comes frustratingly art]\y and annoy+i.ng . .+ . until again it becomes hilarious. What a terr@ific sense of biza
rre reality. this lends the]  film (l+ ike kids in a perpet!=ual am / \.)n[^.otare too argument).　　Har.$%tley's weaves all\_ o:f a smal!:l ne: ]ighborh:^ood]*'s =!idios[]%
/yncrasies i`nto !*a tapestr%\
y \*of;*
$ s!e(e`ming stereotypes;( but which del_^]ves far beneat@__h the surface, t+
[@?he ca;:_talyst \+^ being that__ everyone be$_lieve(.(s they  -know/ wh)-.at the@]) unbelievable ]trut h !=of -th?e-=%.+ \_title is, ye#:^t no two people can(\: agree (includ!in/\g our hero) =on what;! #?exactly tha* :t t,^[ru$#th i]`)?s. A won_derfu_l ( little mov;:ie with ]  some big ideas.